Latest Volume

Volume 17 / 2025

Edited by Christopher Earley and Julia Langkau

Table of Contents Full Issue

Emanuele Arielli The Goddess of Chance: Randomness from Ancient Automaton to AI-Art 1-17
Carola Barbero Literature and Storytelling 18-37
Aneta Benešová Toward a Richer Account of Illusion in the Experience of Narrative 38-49
Gaia Bobò Anti-Entropic Fields: Art and the Inversion of Time 50-60
Clara Campuzano Gómez Why Choose One When You Can Have Both? On the Perceptual and Rational Dimensions of Aesthetic Judgement 61-72
Wing Po Chan Perception, Context, and Categories of Art 73-86
Emil Egenbauer Tilting Images: Toward a Dialectical Theory of the Artwork. Including a Postscript on a Performance by Florentina Holzinger 87-102
Christos Grigoriou Sublime Aesthetics and Poilitics in Kant’s “General Remark” 103-114
Tereza Hadravová The Art of Fidelity: On Films That One Can Read 115-127
Lukáš Makky Singularity and Multiplicity of Aura, Atmosphere, and Environment/Place: Dialectic of Time and Place 128-140
Lola Martínez-Pons Ortuño Why Cannot Literary Interpretation Do without Taste 141-154
Elisa Paganini An ‘Intrinsic’ Characterisation of Fiction 155-169
Nicolò Pioli Counter-Observations: Aesthetics and Operational Images 170-182
Dan Eugen Ratiu Rethinking Nightness: Philosophical Interpretations and Artistic Depictions of Night-Time Activities and Objects 183-200
Stefanos Regkas A Spinozist Alternative to Baumgarten’s Introduction to Aesthetics 201-216
Snježana Šimić Rethinking the Aesthetics of Photography through the Lens of the Philosophy of Technology 217-229
Thanos Spiliotakaras The Notion of the Maximum in Kant’s Aesthetic Ideas 230-241
Orsola Stancampiano Multiple Indexicality: a New Perspective on Photography 242-251
Edvardas Šumila Return of the Political and the Aesthetics of the Anthropocene 252-264
Thomas Symeonidis On the Art of Aesthetic Ideas: The Kantian Background of Jacques Rancière 265-276
Connell Vaughan Hume’s Hogshead vs Spotify Wrapped. The “Test of Time in the “Big Flat Now” 277-294
Leonie Felicia von Lieben A Revision of Paul de Man’s Reading of Sign and Symbol in Hegel’s Aesthetics 295-308

  

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