| Emanuele Arielli |
The Goddess of Chance: Randomness from Ancient Automaton to AI-Art |
1-17 |
| Carola Barbero |
Literature and Storytelling |
18-37 |
| Aneta Benešová |
Toward a Richer Account of Illusion in the Experience of Narrative |
38-49 |
| Gaia Bobò |
Anti-Entropic Fields: Art and the Inversion of Time |
50-60 |
| Clara Campuzano Gómez |
Why Choose One When You Can Have Both? On the Perceptual and Rational Dimensions of Aesthetic Judgement |
61-72 |
| Wing Po Chan |
Perception, Context, and Categories of Art |
73-86 |
| Emil Egenbauer |
Tilting Images: Toward a Dialectical Theory of the Artwork. Including a Postscript on a Performance by Florentina Holzinger |
87-102 |
| Christos Grigoriou |
Sublime Aesthetics and Poilitics in Kant’s “General Remark” |
103-114 |
| Tereza Hadravová |
The Art of Fidelity: On Films That One Can Read |
115-127 |
| Lukáš Makky |
Singularity and Multiplicity of Aura, Atmosphere, and Environment/Place: Dialectic of Time and Place |
128-140 |
| Lola Martínez-Pons Ortuño |
Why Cannot Literary Interpretation Do without Taste |
141-154 |
| Elisa Paganini |
An ‘Intrinsic’ Characterisation of Fiction |
155-169 |
| Nicolò Pioli |
Counter-Observations: Aesthetics and Operational Images |
170-182 |
| Dan Eugen Ratiu |
Rethinking Nightness: Philosophical Interpretations and Artistic Depictions of Night-Time Activities and Objects |
183-200 |
| Stefanos Regkas |
A Spinozist Alternative to Baumgarten’s Introduction to Aesthetics |
201-216 |
| Snježana Šimić |
Rethinking the Aesthetics of Photography through the Lens of the Philosophy of Technology |
217-229 |
| Thanos Spiliotakaras |
The Notion of the Maximum in Kant’s Aesthetic Ideas |
230-241 |
| Orsola Stancampiano |
Multiple Indexicality: a New Perspective on Photography |
242-251 |
| Edvardas Šumila |
Return of the Political and the Aesthetics of the Anthropocene |
252-264 |
| Thomas Symeonidis |
On the Art of Aesthetic Ideas: The Kantian Background of Jacques Rancière |
265-276 |
| Connell Vaughan |
Hume’s Hogshead vs Spotify Wrapped. The “Test of Time in the “Big Flat Now” |
277-294 |
| Leonie Felicia von Lieben |
A Revision of Paul de Man’s Reading of Sign and Symbol in Hegel’s Aesthetics |
295-308 |
