Volume 17 / 2025 Edited by Christopher Earley and Julia Langkau Table of Contents Full Issue Emanuele Arielli The Goddess of Chance: Randomness from Ancient Automaton to AI-Art 1-17 Carola Barbero Literature and Storytelling 18-37 Aneta Benešová Toward a Richer Account of Illusion in the Experience of Narrative 38-49 Gaia Bobò Anti-Entropic Fields: Art and the Inversion of Time 50-60 Clara Campuzano Gómez Why Choose One When You Can Have Both? On the Perceptual and Rational Dimensions of Aesthetic Judgement 61-72 Wing Po Chan Perception, Context, and Categories of Art 73-86 Emil Egenbauer Tilting Images: Toward a Dialectical Theory of the Artwork. Including a Postscript on a Performance by Florentina Holzinger 87-102 Christos Grigoriou Sublime Aesthetics and Poilitics in Kant’s “General Remark” 103-114 Tereza Hadravová The Art of Fidelity: On Films That One Can Read 115-127 Lukáš Makky Singularity and Multiplicity of Aura, Atmosphere, and Environment/Place: Dialectic of Time and Place 128-140 Lola Martínez-Pons Ortuño Why Cannot Literary Interpretation Do without Taste 141-154 Elisa Paganini An ‘Intrinsic’ Characterisation of Fiction 155-169 Nicolò Pioli Counter-Observations: Aesthetics and Operational Images 170-182 Dan Eugen Ratiu Rethinking Nightness: Philosophical Interpretations and Artistic Depictions of Night-Time Activities and Objects 183-200 Stefanos Regkas A Spinozist Alternative to Baumgarten’s Introduction to Aesthetics 201-216 Snježana Šimić Rethinking the Aesthetics of Photography through the Lens of the Philosophy of Technology 217-229 Thanos Spiliotakaras The Notion of the Maximum in Kant’s Aesthetic Ideas 230-241 Orsola Stancampiano Multiple Indexicality: a New Perspective on Photography 242-251 Edvardas Šumila Return of the Political and the Aesthetics of the Anthropocene 252-264 Thomas Symeonidis On the Art of Aesthetic Ideas: The Kantian Background of Jacques Rancière 265-276 Connell Vaughan Hume’s Hogshead vs Spotify Wrapped. The “Test of Time in the “Big Flat Now” 277-294 Leonie Felicia von Lieben A Revision of Paul de Man’s Reading of Sign and Symbol in Hegel’s Aesthetics 295-308
