ESA CONFERENCE 2010 UDINE
Programme (download)
THURSDAYMay 27th |
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8 – 9 |
REGISTRATION |
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9 – 9,30 |
OPENING |
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9,30 – 11 |
Plenary Session I Sergio Givone (Firenze, Italy) About a narrative way of thinking |
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11 – 11,45 |
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COFFEE BREAK |
COFFEE BREAK |
COFFEE BREAK |
COFFEE BREAK |
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11,45 – 12,30 |
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Philosophy, Poetry, Literature Stefano Marino (Bologna, Italy) |
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12,30 – 13,15 |
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Pictorial Representation Andrew Inkpin (Vercelli, Italy) |
Philosophy, Poetry, Literature Simone Furlani (Padova, Italy) 'Kunst' e 'Dichtung': L’estetica della differenza di Paul Celan |
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13,15 – 14,45 |
Art, Performance and Movement Lev Kreft (Ljubljana, Slovenia) |
LUNCH |
LUNCH |
LUNCH |
LUNCH |
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14,45 – 15,30 |
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Art Objects and Artworks Raphael van Riel (Bochum, Germany) |
Aesthetic Appreciation and Judgement Tomas Kulka (Prague, Czech Republic) |
History of Aesthetics Keren Gorodeisky (Auburn, USA) |
Aesthetic Concepts: The Sublime Cristian Nae (Iasi, Romania) Dialogical sublime: sensus eommunis and the excess of intersubjectivity in dialogical aesthetics |
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15,30 – 16,15 |
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Art Objects and Artworks Chris Belshaw (Open University, UK) |
Aesthetic Appreciation and Judgement Matilde Carrasco Barranco (Murcia, Spain) The role of reception value in the reasoned critical evaluation of artworks
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History of Aesthetics Tomas Hlobil (Prague, Czech Republic) |
Aesthetic Concepts: The Sublime Vladimir J. Konecni (University of California, San Diego, USA) |
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16,15 – 16,45 |
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COFFEE BREAK |
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16,45 – 17,30 |
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Art Objects and Artworks Tereza Hadravova & Thomas Kulka (Prague, Czech Republic) |
Aesthetic Appreciation and Judgement David Davies (Montreal, Canada) |
History of Aesthetics Andrew Huddleston (Princeton, USA) |
Aesthetic Concepts: The Sublime Antonio Carrano (Napoli, Italy) Esperienza e giudizio: una teoria antipredicativa del sublime |
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18 – 19,30 |
Plenary Session II Lambert Wiesing (Jena, Germany) Pause of participation. On the function of artificial presence |
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20 – 21 |
GUIDED VISIT TO THE TIEPOLO EXHIBITION (CASTLE OF UDINE) |
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21 |
ESA CONFERENCE DINNER (CASTLE OF UDINE) |
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FRIDAYMay 28th |
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8,30 – 9,15
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Fiction, Narrativity, Imagination Jukka Mikkonen (Tampere, Finland) |
Aesthetic Experience Stefan Deines (Frankfurt, Germany) The function of aesthetic experience in the philosophy of art
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Aesthetic Concepts: Beauty Verena Delle Donne (Madrid, Spain) How can we explain beauty? A psychological answer to a philosophical question |
History of Aesthetics Roberto Morani (Università di Genova, Italy) Della natura e funzione dell’arte nel sistema di Hegel
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9,15 – 10 |
Fiction, Narrativity, Imagination Marion Renauld (Nancy 2, France) "Are we right to consider a character as a fictional entity? (in English)
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Aesthetic Experience Susanne Schmetkamp (Basel, Switzerland) |
Aesthetic Concepts: Beauty Gary Kemp (Glasgow, UK) |
History of Aesthetics Richard Eldridge (Swarthmore College, USA; University of Freiburg, Germany) |
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10 – 10,30 |
COFFEE BREAK |
COFFEE BREAK |
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COFFEE BREAK |
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10,30 – 11,15 |
Fiction, Narrativity, Imagination James R. Hamilton (Kansas State University, USA) |
Aesthetics and Theory of Art Christel Fricke (Oslo, Norway) |
Aesthetic Concepts: Beauty Rafael de Clerq (Hong Kong) Reflections on a sofa-bed: functional beauty and looking fit
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History of Aesthetics Jose Juan Gonzalez (Alicante, Spain) A philosophy of art in Plato's Republic: An analysis of Collingwood's proposal |
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11,15 – 12 |
Fiction, Narrativity, Imagination Héctor Julio Pérez López (Valencia, Spain) |
Aesthetics and Theory of Art Dan-Eugen Ratiu (Cluj-Napoca, Romania) |
Aesthetics Concepts: Beauty Hanna Kim (Washington & Jefferson College, USA) Impossible metaphors or why ‘Beautiful’ can’t be used metaphorically |
History of Aesthetics Wiebke Deimling (University of Pennsylvania, USA) |
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12 – 13,30 |
LUNCH |
LUNCH |
LUNCH |
LUNCH |
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13,30 – 14,15 |
Fiction, Narrativity, Imagination Zsolt Bátori (Budapest, Hungary) Genre identification and the case of horror
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Aesthetics and Theory of Art Ulrich Seeberg (Berlin, Germany) |
Aesthetic Concepts: Beauty Eileen John (Warwick, UK) |
Rhythm and Dance Garry Hagberg (New York, USA) |
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14,15 – 15 |
Fiction, Narrativity, Imagination Sara Protasi & Shen-yi Liao (Yale, USA) & (Michigan, USA) |
Aesthetics and Theory of Art Alberto Martinengo (Torino, Italy) Metaphor and canon in Paul Ricoeur - From an aesthetic point of view |
Aesthetic Concepts: Beauty David Owens (Sheffield, UK) |
Rhythm and Dance Inma Álvarez (The Open University, UK) Natural and artistic bodies in dance |
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15 – 15,20 |
COFFEE BREAK |
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15,20 – 16,05 |
Aesthetics of Music between Ethics and Politics Peter Rinderle (Tübingen, Germany) Solving the antinomy between the aesthetics and the politics of music |
Aesthetics and Theory of Art Daniel Martin Feige (Berlin, Germany)
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Urban and Natural Aesthetics Madalina Diaconu (Vienna, Austria) |
Art, Cognition and Perception Anke Haarmann (Lüneburg, Germany) Artistic research – a tool of cognition parallel to philosophy? |
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16,05 - 16,50 |
Aesthetics of Music between Ethics and Politics James Schmidt (Boston, USA) Catastrophe, Music, and Memory: On the Aesthetics of Musical Memorials |
Aesthetics and Theory of Art Georg Bertram (Berlin, Germany) |
Urban and Natural Aesthetics Marta Tafalla (Barcelona, Spain) Does the art of Richard Long teach us to aesthetically appreciate nature? |
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17 – 18,30 |
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Plenary Session III John Hyman (Oxford, UK) Is resemblance a relation? |
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18,30 – 19,30 |
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ESA COMITEE MEETING |
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SATURDAYMay 29th
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9,30 – 10,15 |
Art and Morality Alessandro Giovannelli (Lafayette College, USA)
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Pictorial Representation Elisa Caldarola (Padua, Italy) |
Cinema Vítor Moura (Minho, Portugal) |
Art, Cognition and Perception Iris Vidmar (Rijeka, Croatia) Against cognitive triviality of art
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10,15 – 11 |
Art and Morality Elvio Baccarini (Rijeka, Croatia) |
Pictorial Representation Ken Wilder (London, UK) |
Cinema Josef Früchtl (Amsterdam, Netherlands) |
Art, Cognition and Perception María José Alcaraz León (Murcia, Spain) |
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11 – 11,30 |
COFFEE BREAK |
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11,30 – 13 |
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Plenary Session IV Thierry de Duve (Lille III, Belgium) On negativity in Kant's Third Critique |
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