Volume 2 / 2010

Edited by Alessandro Bertinetto, Fabian Dorsch and Cain Todd

Inma Álvarez	Natural and Artistic Bodies in Dance	1-19
Elvio Baccarini	Reflective Equilibrium, Art and Moral Knowledge	20-33
Zsolt Bátori	Genre Identification and the Case of Horror	34-45
Elisa Caldarola	Pictorial Representation and Abstract Pictures	46-61
Rafael De Clercq	Reflections on a Sofa-Bed: Functional Beauty and Looking Fit	62-77
Wiebke Deimling	Imaginary Works of Art and Real Emotions	78-87
Verena Delle Donne	How Can We Explain Beauty? A Psychological Answer to a Philosophical Question	88-99
Mădălina Diaconu	Urban Drifting as a Work Method of the Creative Class	100-112
Richard Eldridge	Hegel as a Philosopher of Modern Art	113-124
Daniel Martin Feige	Art as Reflexive Practice	125-142
Josef Früchtl	Exhibiting or Presenting? Politics, Aesthetics and Mysticism in Benjamin’s and Deleuze’s Concepts of Cinema	143-160
José Juan González	A Philosophy of Art in Plato’s Republic: an Analysis of Collingwood’s Proposal	161-177
Keren Gorodeisky	Schematizing without a Concept? Imagine that!	178-192
Anke Haarmann	Artistic Research: A Tool of Cognition Parallel to Philosophy?	193-208
Andrew Inkpin	The Nonconceptual Content of Paintings	209-223
Hanna Kim	Impossible Metaphors or Why ‘Beautiful’ Can’t Be Used Metaphorically	224-243
Vladimir Konečni	Aesthetic Trinity Theory and the Sublime* (Newer Version)	244-264
Lev Kreft	Aristotle and Cricket	265-277
Stefano Marino	Philosophy and / as Literature: Some Remarks on Theodor W. Adorno and Richard Rorty	278-301
Alberto Martinengo	Metaphor and Canon in Paul Ricoeur: From an Aesthetic Point of View	302-311
Jukka Mikkonen	Implicit Assertions in Literary Fiction	312-330
Roberto Morani	Della Natura e Funzione dell’Arte nel Sistema di Hegel	331-347
Vítor Moura	The Cinematic Muthos	348-360
Cristian Nae	Communicability and Empathy: Sensus Communis and the Idea of the Sublime in Dialogical Aesthetics	361-385
Eva Perez de Vega	Experiencing Built Space: Affect and Movement	386-409
Dan-Eugen Raţiu	After the “Death of Art”: Is there any Life for Aesthetics?	410-426
Miles Rind	The Concept of Interest and Kant’s Distinction between the Beautiful and the Agreeable	427-442
Peter Rinderle	Solving the Antinomy between the Aesthetics and the Politics of Music	443-453
James Schmidt	Cenotaphs in Sound: Catastrophe, Memory, and Musical Memorials	454-478
Eva Schürmann	Transitions from Seeing to Thinking: On the Relation of Perception, Worldview and World-Disclosure	479-491
Marta Tafalla	From Allen Carlson to Richard Long: The Art-Based Appreciation of Nature	491-515
Iris Vidmar	Against the Cognitive Triviality of Art	516-531
Ken Wilder	Neither Here Nor Elsewhere: Displacement Devices in Representing the Supernatural	532-543

* This paper has subsequently been published elsewhere. Please cite the linked newer version.

Volume 2 / 2010

Edited by Alessandro Bertinetto, Fabian Dorsch and Cain Todd

Table of Contents