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Volume 2 / 2010

Edited by Alessandro Bertinetto, Fabian Dorsch and Cain Todd

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Table of Contents

Inma Álvarez Natural and Artistic Bodies in Dance 1-19
Elvio Baccarini Reflective Equilibrium, Art and Moral Knowledge 20-33
Zsolt Bátori Genre Identification and the Case of Horror 34-45
Elisa Caldarola Pictorial Representation and Abstract Pictures 46-61
Rafael De Clercq Reflections on a Sofa-Bed: Functional Beauty and Looking Fit 62-77
Wiebke Deimling Imaginary Works of Art and Real Emotions 78-87
Verena Delle Donne How Can We Explain Beauty? A Psychological Answer to a Philosophical Question 88-99
Mădălina Diaconu Urban Drifting as a Work Method of the Creative Class 100-112
Richard Eldridge Hegel as a Philosopher of Modern Art 113-124
Daniel Martin Feige Art as Reflexive Practice 125-142
Josef Früchtl Exhibiting or Presenting? Politics, Aesthetics and Mysticism in Benjamin’s and Deleuze’s Concepts of Cinema 143-160
José Juan González A Philosophy of Art in Plato’s Republic: an Analysis of Collingwood’s Proposal 161-177
Keren Gorodeisky Schematizing without a Concept? Imagine that! 178-192
Anke Haarmann Artistic Research: A Tool of Cognition Parallel to Philosophy? 193-208
Andrew Inkpin The Nonconceptual Content of Paintings 209-223
Hanna Kim Impossible Metaphors or Why ‘Beautiful’ Can’t Be Used Metaphorically 224-243
Vladimir Konečni Aesthetic Trinity Theory and the Sublime* (Newer Version) 244-264
Lev Kreft Aristotle and Cricket 265-277
Stefano Marino Philosophy and / as Literature: Some Remarks on Theodor W. Adorno and Richard Rorty 278-301
Alberto Martinengo Metaphor and Canon in Paul Ricoeur: From an Aesthetic Point of View 302-311
Jukka Mikkonen Implicit Assertions in Literary Fiction 312-330
Roberto Morani Della Natura e Funzione dell’Arte nel Sistema di Hegel 331-347
Vítor Moura The Cinematic Muthos 348-360
Cristian Nae Communicability and Empathy: Sensus Communis and the Idea of the Sublime in Dialogical Aesthetics 361-385
Eva Perez de Vega Experiencing Built Space: Affect and Movement 386-409
Dan-Eugen Raţiu After the “Death of Art”: Is there any Life for Aesthetics? 410-426
Miles Rind The Concept of Interest and Kant’s Distinction between the Beautiful and the Agreeable 427-442
Peter Rinderle Solving the Antinomy between the Aesthetics and the Politics of Music 443-453
James Schmidt Cenotaphs in Sound: Catastrophe, Memory, and Musical Memorials 454-478
Eva Schürmann Transitions from Seeing to Thinking: On the Relation of Perception, Worldview and World-Disclosure 479-491
Marta Tafalla From Allen Carlson to Richard Long: The Art-Based Appreciation of Nature 491-515
Iris Vidmar Against the Cognitive Triviality of Art 516-531
Ken Wilder Neither Here Nor Elsewhere: Displacement Devices in Representing the Supernatural 532-543

* This paper has subsequently been published elsewhere. Please cite the linked newer version.

The European Society for Aesthetics was founded in 2008 at the University of Fribourg (Switzerland), where it has been based ever since

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