| Emanuele Arielli |
Effort in Aesthetic Appreciation: from Avant-Garde to AI |
1-14 |
| Marta Benenti |
Perceptual Learning and Aesthetic Criticism |
15-26 |
| Clara Campuzano Gómez |
The Role of Arguing in Aesthetic Appreciation |
27-43 |
| Emanuele Capozziello |
Ecological Imagination: From Kant to a Complex World |
44-61 |
| Francisca Pérez Carreño |
Taste and Art Criticism |
62-75 |
| Giuliano Covetti |
The Artistic and the Real: Schiller’s Aesthetic Theory in Luckas’ Perspective |
76-86 |
| Vitor Guerreiro |
Framing Resemblances: Puy, Young, and Goodman on Musical Expressiveness |
87-101 |
| Efi Kyprianidou |
On the Road to Virtuousness: Empathy for Rough Heroines |
102-114 |
| Luigi Laino |
Der Wille zur Gestaltung: Cassirer and Nietzsche |
115-129 |
| Federico Lauria |
The Epistemic Value of Sad Music: Reflection as a Motivation to Listen to Sad Music |
130-143 |
| Irene Lonigro |
Towards a Two-Level Account of Imaginative Resistance |
144-159 |
| Martino Manca |
Sense Without (Semantic) Meaning? The Case of Asemic Writing |
160-192 |
| Lola Martínez-Pons Ortuño |
Is Attunement a Solution to the Antinomy of Taste? |
193-209 |
| Serena Massimo |
Between Dancing and “Being Danced”: Dance as the Emergence of an “Aesthetic Sense” |
210-227 |
| Camilla Palazzolo |
Conserving the Ephemeral: A Philosophical Problem for Contemporary Art |
228-240 |
| Lucy Psaila |
A Puzzle about Fictional Points of View |
241-256 |
| Voica Pușcașiu |
The Impact of Aesthetics on the Reception of Art in Public Spaces: The Undesirable Graffiti |
257-268 |
| Dan Eugen Ratiu |
Everynight Aesthetics: What Would Be Different from Everyday Aesthetics? |
269-296 |
| Salvador Rubio Marco |
Making Someone See an Aspect is not Persuading |
297-305 |
| Sue Spaid |
Values vs Emotions: How Artworks ‘Move Us’ to Change |
306-316 |
| Orsola Stancampiano |
The Challenge of Hybrid Artworks to Art Categories |
317-325 |
| Lorenzo De Stefano |
Creativity in the Age of AI: A Post-Phenomenological Comparison between AI-Generated Content and Exquisite Worker’s AI Surrealism |
326-339 |
| Jens Dam Ziska |
Factive Pictorial Experience and Indexical Drawing |
340-346 |
