| Emanuele Arielli | Extended Aesthetics: Art and Artificial Intelligence | 1-13 |
| Alessandro Bertinetto | The Aesthetic Paradox of Artistic Improvisation (and its Solution) | 14-28 |
| Vanessa Brassey | The Pictorial Narrator | 29-42 |
| Remei Capdevila-Werning and Sanna Lehtinen | A First Approach to Intergenerational Aesthetics: Theoretical Stakes, Practical Examples, and Future Research Avenues | 43-58 |
| Yi Ding | A Brief History of the Reception of Laocoon in China: From the
Perspective of the “Poetical Picture” | 59-68 |
| Rosa María Fernández García | Hermeneutic Truth in Contemporary Opera | 69-89 |
| Jèssica Jacques Pi | On Deconstruction and Construction in Picasso’s Las Meninas: Political Reasons for Death Exorcisms in the 1957 Barcelona Suite | 90-99 |
| Monika Jovanović | Beyond Internalism / Externalism Dispute on Aesthetic Experience: A Return to Kant | 100-111 |
| Darío Loja | A Brief Insight into the Musical Role of Non-Tonal Aspects | 112-124 |
| Washington Morales Maciel | Literary Cognitive Benefits as Undecidable Mental Models | 125-133 |
| Salvador Rubio Marco | Novels and Moral Knowledge: Henry James Evaluating Guy de Maupassant | 134-147 |
| Philip Mills | Viral Poetics in Manuel Joseph’s Baisetioles | 148-159 |
| Mojca Puncer | Virus as Metaphor: The Art World Under Pandemia | 160-172 |
| Karel Stibral | Johann Georg Sulzer – A Forgotten Father of Environmental Aesthetics | 173-188 |
| Ryan Mitchell Wittingslow | Using Philosophy of Technology to Talk about Art | 189-200 |
