Emanuele Arielli | Extended Aesthetics: Art and Artificial Intelligence | 1-13 |
Alessandro Bertinetto | The Aesthetic Paradox of Artistic Improvisation (and its Solution) | 14-28 |
Vanessa Brassey | The Pictorial Narrator | 29-42 |
Remei Capdevila-Werning and Sanna Lehtinen | A First Approach to Intergenerational Aesthetics: Theoretical Stakes, Practical Examples, and Future Research Avenues | 43-58 |
Yi Ding | A Brief History of the Reception of Laocoon in China: From the Perspective of the “Poetical Picture” | 59-68 |
Rosa María Fernández García | Hermeneutic Truth in Contemporary Opera | 69-89 |
Jèssica Jacques Pi | On Deconstruction and Construction in Picasso’s Las Meninas: Political Reasons for Death Exorcisms in the 1957 Barcelona Suite | 90-99 |
Monika Jovanović | Beyond Internalism / Externalism Dispute on Aesthetic Experience: A Return to Kant | 100-111 |
Darío Loja | A Brief Insight into the Musical Role of Non-Tonal Aspects | 112-124 |
Washington Morales Maciel | Literary Cognitive Benefits as Undecidable Mental Models | 125-133 |
Salvador Rubio Marco | Novels and Moral Knowledge: Henry James Evaluating Guy de Maupassant | 134-147 |
Philip Mills | Viral Poetics in Manuel Joseph’s Baisetioles | 148-159 |
Mojca Puncer | Virus as Metaphor: The Art World Under Pandemia | 160-172 |
Karel Stibral | Johann Georg Sulzer – A Forgotten Father of Environmental Aesthetics | 173-188 |
Ryan Mitchell Wittingslow | Using Philosophy of Technology to Talk about Art | 189-200 |