Volume 6 / 2014

Edited by Fabian Dorsch and Dan-Eugen Ratiu

Table of Contents

Complete Volume

Christian G. Allesch	An Early Concept of ‘Psychological Aesthetics’ in the ‘Age of Aesthetics’	1-12
Martine Berenpas	The Monstrous Nature of Art — Levinas on Art, Time and Irresponsibility	13-23
Alicia Bermejo Salar	Is Moderate Intentionalism Necessary?	24-36
Nuno Crespo	Forgetting Architecture — Investigations into the Poetic Experience of Architecture	37-51
Alexandre Declos	The Aesthetic and Cognitive Value of Surprise	52-69
Thomas Dworschak	What We Do When We Ask What Music Is	70-82
Clodagh Emoe	Inaesthetics — Re-configuring Aesthetics for Contemporary Art	83-113
Noel Fitzpatrick	Symbolic Misery and Aesthetics — Bernard Stiegler	114-128
Carlo Maria Fossaluzza & Ian Verstegen	An Ontological Turn in the Philosophy of Photography	129-141
Philip Freytag	The Contamination of Content and the Question of the Frame	142-157
Rob van Gerwen	Artists’ Experiments and Our Issues with Them — Toward a Layered Definition of Art Practice	158-180
Geert Gooskens	Immersion	181-189
James R. Hamilton	The ‘Uncanny Valley’ and Spectating Animated Objects	190-207
Iris Laner	Learning by Viewing — Towards a Phenomenological Understanding of the Practical Value of Aesthetic Experience	208-228
Jerrold Levinson	Blagues Immorales	229-244
Shelby L. J. Moser	Perceiving Digital Interactivity — Applying Kendall Walton’s ‘Categories of Art’ to Computer Art	245-257
Vítor Moura	Seeing-From — Imagined Viewing and the Role of Hideouts in Theatre	258-275
Lynn Parrish	Tensions in Hegelian Architectural Analysis — A Re-Conception of the Spatial Notions of the Sacred and Profane	276-285
Francesca Pérez Carreño	Sentimentality as an Ethical and Aesthetic Fault	286-304
Christopher Poole	The Fall of Reason and the Rise of Aesthetics	305-315
Mateusz Salwa	The Garden — Between Art and Ecology	316-327
Lisa Katharin Schmalzried	Kant on Human Beauty	328-343
Albert van der Schoot	Musical Sublimity and Infinite Sehnsucht — E.T.A. Hoffmann on the Way from Kant to Schopenhauer	344-354
Pioter Shmugliakov	Transcendentality of Art in Kant’s Third Critique	355-366
Kristina Soldati	Meaningful Exemplification — On Yvonne Rainer’s ‘Trio A’	367-378
Valerijs Vinogradovs	Kant’s Multiplicity	379-401
Ken Wilder	Las Meninas, Alois Riegl, and the ‘Problem’ of Group Portraiture	402-421
Mark Windsor	Art and Magic, or, The Affective Power of Images	422-435
Pavel Zahrádka	Does “Great” Art Exist? A Critique of the Axiological Foundations of the Artistic Canon	436-456
Zsófia Zvolenszky	Artifactualism and Authorial Creation	457-469