| Hassan Ali | Rosebud: Exploring Deleuzian Temporality through the Wellesian Shot | 1-13 |
| Sacha Behrend | On the Apparent Incompatibility of Perceptual and Conventional Accounts of Pictures | 14-27 |
| Anu Besson | On Aesthetic Practices and Cultural Identity of Finish Emigrants | 28-37 |
| Pol Capdevila | Mood in Cinema. Towards a Unified Form of Time | 38-55 |
| Jokob Deibl | From Infinite Rapprochement to the Open: From Kant to Hölderlin | 56-67 |
| Viviana Galletta | The Laocoön and the Devil: A Path through the Franciscus Hemsterhuis’ Letter on Sculpture | 68-85 |
| Lorenzo Gineprini | The Uncanniness of the Ordinary: Rethinking the Uncanny within Aesthetics | 86-99 |
| Jason Holt | Self-Referential Aesthetics in the Art of Leonard Cohen | 100-111 |
| Mariliis Elizabeth Holzmann | An Alien Phenomenology of Object Oriented Aesthetics and Genderqueer Representations in Julia Ducournau’s Titane | 112-127 |
| Daniel Kuran | From Ethics to Aesthetics: On an Aesthetic Sense in Kant’s Philosophy of Religion | 128-133 |
| Salvador Rubio Marco | Can Poems do Philosophy?: the Philosopher as a Sportsman of the Mind | 141-150 |
| Philip Mills | Wanting Austin Inside Out: Viral Poetics and Queer Theory | 151-165 |
| Eva Schürmann | “A Real Fact is a Fact of Aesthetic Experience.” On the Actuality of Whitehead’s Aisthetics | 166-182 |
| Thomas Symeonidis | Designing Worlds: Explorations of the Possible Structures of the Aesthetic in Jacques Rancière | 183-188 |
| Asmus Trautsch | Transformation and Transcendence of the Tragic: Milo Rau’s “Theatre of the Real” | 194-217 |
| Elettra Villani | The Category of the Aesthetic: Considerations on Theodor W. Adorno’s Reading of Kierkegaard | 218-228 |
