ESA 2025 Conference Programme

– Still subject to changes. Please check regularly –

Last update May 13 2025 09:38

Contact: conference(a)eurosa.org

 

16.06.2025 / Monday

9:00 Registration

9:30–10:00 Opening
Pauline von Bonsdorff, President of the European Society for Aesthetics
Opening Address by
Achilleas Chaldeakis, Member of the Administrative Council of the National and Kapodistrian University of Athens
Dimitrios Drosos, Dean of the School of Philosophy, NKUA
Vana Nikolaidou-Kyrianidou, Chair of the Department of Philosophy, NKUA
Welcome by
Georgios Arabatzis, Professor at the Department of Philosophy, NKUA
Room Library Amphitheater

10:00–11:30 Keynote Session
Tonino Griffero
Rapture »at a Distance«. Searching for Pathic-atmospheric Aesthetics
Chair: Pauline von Bonsdorff
Room Library Amphitheater

11:30–12:00 Coffee Break

16.06.2025 MondayEssay Prize Panel
Chair: Tereza Hadravová
Room 425
Beauty
Chair: Jochen Schuff
Room 426
Aesthetic Production
Chair: María José Alcaraz León
Room 427
Music
Chair: Vítor Moura
Room 428
12:00–12:45Essay Prize Winner
tba
Response
tba
Panos Paris Beauty & Pleasure: Internalising Ends, Experiencing ValueMonika Favara-Kurkowski Material Realities: The Aesthetics of Mass-Produced Design ObjectsEran Guter Peacocke on Musical Expression
12:45–13:30(the panel continues)Catherine Wesselinoff Arguments Against BeautyNemesio G. C. Puy Completing a Work of ArtGiulia Lorenzi Understanding Musical Virtuosity to Understand Auditory Perception

13:30–15:00 Lunch Break

16.06.2025 MondayKantian Aesthetics I
Chair: Vítor Moura
Room 425
Cinematic Philosophy
Chair:
Room 426
Fictions I
Chair:
Room 427
Poetry/Literature I
Chair: Fotini Vassiliou
Room 428
15:00–15:45Ido Geiger Does Kant Have a Theory of Music as an Artform?Conrad Mattli Art as Enigma and Empty Promise: Adorno and Charlie Kaufman’s I’m Thinking of Ending ThingsDamian Cox Fictional Excess and Moral Self-RepugnanceFrancesco Pierini Inner Speech and the Phenomenology of Poetry
15:45–16:30João Lemos Kant and Bad ArtAlfonso Hoyos Morales The Notion of Authenticity in Robert BressonIoan Victor Popa Canons and Corpora of FictionsAndrew Wynn Owen Can the Utterance of a Sentence in Poetry be Serious?

16:30–17:00 Coffee Break

16.06.2024 MondayAesthetics of the Contemporary I
Chair: Jochen Schuff
Room 425
AI I
Chair: Elena Tavani
Room 426
Fictions II
Chair: Efi Kyprianidou
Room 427
Architecture/Sculpture
Chair: Fotini Vassiliou
Room 428
17:00–17:45
Elisa Caldarola and Camilla Palazzolo The Arts of Introspection

Michalle Gal Is Generative AI in Aesthetics Really New? A Visualist Analysis

Irene Lonigro If We Can Imagine a New Shade of Blue, Can We Imagine New Emotions? The Limits of Emotional Engagement with Fiction
Luca Marchetti Architectural Experience
17:45–18:30Gaia Bobò Anti-Entropic Fields. Art and the Inversion of TimeNick Young and Enrico Terrone The Environmental Aesthetics of Generative AITibor Bárány Epistemic Normativity of Fiction-Directed Emotions: What’s Wrong with the Strategy of Continuity Theorists?Dimitris Apostolopoulos Kinetic Volume: Seeing Sculpture with Langer

18:45–20:00 ESA Assembly for all participants and members of the ESA
Election of new Executive Committee members
Room Library Amphitheater

 

17.06.2025 / Tuesday

17.06.2025 TuesdayHistory of Aesthetics I
Chair: Giorgos Arabatzis
Room 425
Everyday Aesthetics
Chair:
Room 426
Environmental Aesthetics
Chair: Pauline von Bonsdorff
Room 427
Photography
Chair: María José Alcaraz León
Room 428
9:30–10:15Rahel Aerin Eslas Denis Diderot and the Enlightenment Aesthetics of NatureNatxo Navarro Renalias Appreciating Freely: Revisiting Everyday Aesthetics’ FramelessnessLaura Fumagalli Nature Aesthetics and Global Climate ChangeOrsola Stancampiano A Chance to Create Photographic Metaphors
10:15–11:00Jessica Jaques Pi À l’occasion du bicentenaire de la publication de Physiologie du goût par Jean Anthèlme Brillat-Savarin: quatre raisons de l’inclure dans la liste des œuvres fondamentales  de l’esthétique du XIXe siècleArianna Gritti Social Networks and the Aesthetics of CommunicationThomas Heyd Aesthetic Sensibilities, Climatic Changes and Prehistoric ArtSnjezana Simic Rethinking the Aesthetics of Photography Through the Lens of the Philosophy of Technology
11:00–11:45Ivan Quartesan Goethe’s Farbenlehre. A Media Theory?Dan Eugen Ratiu Rethinking Nightness: Artistic Depictions and Philosophical Interpretations of Night-time, Activities and ObjectsAsmus Trautsch Strange Nature and Estranged Selves. Alienation as a Dimension of the Appropriate Appreciation of Natural Environments in Ecological CrisisBen Campion Photographic Visualisation: A Challenge from Machine-Learning

11:45–12:15 Coffee Break

17.06.2025 TuesdayHegelian Aesthetics
Chair: Christos Grigoriou
Room 425
AI II
Chair: Elena Tavani
Room 426
Aesthetics of the Contemporary II 
Chair: Connell Vaughan
Room 427
Poetry/Literature II
Chair: Dimitris Apostolopoulos
Room 428
12:15–13:00Leonie Felicia von Lieben A Revision of Paul de Man’s Reading of the Symbolic in Hegel’s AestheticsEmanuele Arielli The Goddess of Chance: From Ancient »Automaton« to AI-ArtCarola Del Pizzo Ganzfelds, Dotted Pumpkins and Pastel Neons: Re-framing Immersive Art for a Hermeneutics of the ContemporaryCarola Barbero The Instinct of Literature
13:00–13:45Antonios Kalatzis The True, the Good – and the Beautiful? The Absence of Aesthetics in Hegel’s Science of LogicVinícius de Aguiar Music, Artificial Intelligence, and the Crisis of our Aesthetic CategoriesPol Capdevila Interactivity and Horizontality in Archival ArtStefanos Regkas Outline of a Spinozist Metaphysics of Poetry

13:45–15:30 Lunch Break

15:30–17:00 Keynote Session
Juliane Rebentisch The Ecological Uncanny
Chair: Elena Tavani
Room Library Amphitheater

17:00–17:30 Coffee Break

17.06.2025 TuesdayKantian Aesthetics II
Chair:
Room 425
Habits
Chair: Pauline von Bonsdorff
Room 426
Aesthetic Judgment
Chair: María José Alcaraz León
Room 427
Emotions
Chair: Tereza Hadravová
Room 428
17:30–18:15Julian Hanich Free Beauty Reconsidered: Kant, Brakhage, and Avant-Garde CinemaRoberta Dreon The Arts are Made of (Intelligent) HabitsClara Campuzano Why Choose One When You Can Have Both? On the Perceptual and Rational Dimensions of Aesthetic JudgementMarta Benenti Learning Emotions from Aesthetics: An Affordance-Based Proposal
18:15–19:00Thomas Symeonidis On The Art of Aesthetic Ideas. The Kantian Background of Jacques Rancière’s Aesthetic Ontology of ArtJacopo Frascaroli and Alessandro Bertinetto The Pleasure of the Habitual. The Role of Habituation in Aesthetic AppreciationConnell Vaughan Temporal Displacement: Charting the Test of Time in the Big Flat NowAbel Franco An Aesthetic Emotion About Spaces?

 20:00 Conference Dinner
(Venue: Kapodistriako Restaurant)

18.06.2025 / Wednesday

18.06.2025 WednesdayAesthetics of the Contemporary III
Chair: Jochen Schuff
Room 425
History of Aesthetics II
Chair: Tereza Hadravová
Room 426
Fictions III
Chair:
Room 427
Aesthetic Matters 
Chair: María José Alcaraz León
Room 428
9:30–10:15Edvardas Sumila Return of the Political and the Aesthetics of Anthropocene Sujitha Parshi Towards an Atomistic Aesthetics: Friedrich Nietzsche’s »Homer and Classical Philology«Giulio Sacco On the Alleged Cognitivism Underlying the Paradox of FictionThomas Adajian Pluralism and Heterogeneity Arguments in Philosophy of Art
10:15–11:00Kamilla Freyr and Åsa Arketeg Art in Public Spaces – Discourse and Counter-Discourse Mark Windsor Collingwood’s Everyday AestheticsElisa Paganini Fiction as Non-Committal CommunicationErrol Boon The Question of Artistic Truth. Ancient Problems and Contemporary Debates
11:00–11:45Ken Wilder Juliane Rebentisch, Aesthetic Autonomy, and the Locative Function of Situated Art Andrew Huddleston Heidegger on Dwelling and the Task of ArtIdo Keren Shalit Fiction, Fallibility, and the Ethics of Decision: J.L. Austin and George Eliot on the Narratability of ActionWing Po Chan Perception, Context, and Categories of Art

11:45–12:15 Coffee Break

18.06.2025 WednesdayKantian Aesthetics III
Chair: Antonios Kalatzis
Room 425
Fictions IV
Chair: Efi Kyprianidou
Room 426
Re-Assessments
Chair: Connell Vaughan
Room 427
Taste
Chair: Vítor Moura
Room 428
12:15–13:00Thanos Spiliotakaras The Notion of the Maximum in Kant’s Aesthetic IdeasAneta Benešová Falling for the Illusion: Toward a More Precise Account of Illusion in Reading ExperienceAlberto Merzari Manifestation and Concealment in Islamic Aesthetics. Reassessing the Orientalistic Prejudice about the “Land of Mysteries”Lola Martínez-Pons Ortuño Why cannot artistic interpretation do without taste?
13:00–13:45Christos Grigoriou Sublime Aesthetics and Politics in Kant’s »General Remark«Martino Manca Framing the Unwritten: Fictional Books and Their Role in FictionLenka Piper Bridging Dualisms: Reconciling Anthropology and Art in the Study of Australian Aboriginal ArtCelia Coll Why do Good Critics Like Bad Books?

13:45–15.00 Lunch Break

18.06.2025 WednesdayAesthetic Practices
Chair: Pauline von Bonsdorff
Room 425
Aesthetic Properties
Chair: Efi Kyprianidou
Room 426
Atmosphere
Chair: Fotini Vassiliou
Room 427
Techniques of Subversion
Chair:
Room 428
15:00–15:45

Enea Bianchi Archery and Aesthetic Experience: Analyzing the Subject-Object Relationship in Sport Performance

Niccolò Nanni The Multimodal Perception of Aesthetic PropertiesLukáš Makky Dialectic of Time and Space in the Concept of Aura and AtmosphereElsa Saliba Divergence, Convergence, and the Ontology of ›Pioneering‹ Artworks
15:45–16:30Emily Williamson Exploration and faithfulness in aesthetic lifeArtur Harris Aesthetic Properties are not Kinds of Aesthetic ValueMiloš Ševčík Aesthetic Atmosphere Revisited: Dynamic MultiplicityMaura Ceci Contrast and Subversion: Towards a Definition of the Grotesque

16:30–17:00 Coffee Break

17:00–18:30 Keynote Session
Katerina Bantinaki tba
Chair: Efi Kyprianidou
Room Library Amphitheater

 

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