Volume 4 / 2012

Edited by Fabian Dorsch and Dan-Eugen Ratiu

Table of Contents

M. Jorge de Carvalho	A Further Point of View on Points of View	1-40
Thomas Adajian	Something about Vagueness and Aesthetic Disagreement	41-55
María José Alcaraz Leon	Aesthetic Insight: The Aesthetic Value of Damaged Environments	56-69
Zsolt Bátori	The Role of Music Theory in Music Appreciation: Scientific Explanation or Interpretation?	70-82
Alessandro Bertinetto	Improvisational Listening?	83-104
Adam Blincoe	The Priority of Reason: Mendelssohn’s Rationalist Aesthetics	105-120
Aléxia Bretas	Sonho, logo Existo: Reflexões Estéticas de Fernando Pessoa	121-135
Remei Capdevila Werning	From Berliner Stadtschloss to Humboldt-Box and Back Again: Architecture in the Conditional	136-148
Matilde Carrasco Barranco	The Dogma of Post-Conceptual Art: The Role of the Aesthetic in the Art of Today	149-166
María del Mar Rosa Martínez	On Brady’s Imagination and the Aesthetic Experience of Nature	167-181
Thomas Dworschak	A Framework for Musical Meaning	182-194
Sergey A. Dzikevich	Towards a Semioinstitutional Theory of the Aesthetic: Some Results of Metahistorical Thinking in Aesthetics	195-203
Evrim Emir-Sayers	Gauging Proximities: An Inquiry into a Possible Nexus between Middle Eastern and Western Painting	204-214
Erin E. Flynn	The Aesthetic Representation of Justice in Eastwood’s ‘High Plains Drifter’	215-229
Cristian Hainic	The Heideggerian Roots of Everyday Aesthetics: A Hermeneutical Approach to Art	230-249
James R. Hamilton	The Riches of Narrative Per Se	250-261
Thomas Heyd	On Guyer’s Reading of Kant on Adherent Beauty	262-270
Vladimir J. Konečni	Empirical Psycho-Aesthetics and her Sisters: Substantive and Methodological Issues	271-315
Ya-Ping Lin	Art for Life’s Sake: Iris Murdoch on the Relationship Between Art and Morality	316-330
Dina Mendonça	The Experimental Solution for the Paradox of Fiction and the Paradox of Tragedy	331-348
Eric Murphy	The Expanded Cluster Account of Art	349-361
Simone Neuber	How Depictive Representations Mandate Pretence by Being Recognised in Terms of What They Depict	362-384
Dan-Eugen Ratiu	Remapping the Realm of Aesthetics: On Recent Controversies about the Aesthetic and the Aesthetic Experience in Everyday Life	385-411
Isabelle Rieusset-Lemarié	What Taste and Perfume Add to the Political Interpretation of the Kantian Aesthetic Judgment by Arendt and Deleuze	412-432
Matthew Rowe	Artwork Indication and the Standard of Neglect	433-444
Salvador Rubio Marco	Pour un Réalisme de l’Aspect et l’Expression en Esthétique	445-458
Pioter Shmugliakov	Heidegger’s Modernism: What Does the Overcoming of Aesthetics Really Amount to?	459-471
Ronald Shusterman	Anish Kapoor and the Anti-Entropy of Art	472-488
Karen Simecek	On the (Seeming) Incompatibility Between Poetry and Philosophical Inquiry	489-502
Robert Stecker	Film Narration, Imaginative Seeing and Seeing-In	503-512
Marta Tafalla	Anosmic Aesthetics	513-531
Enrico Terrone	The Digital Secret of the Moving Image	532-546
Enrico Terrone & Daniela Tagliafico	Imagination and the Cinematic Experience	547-559
Daniel Jerónimo Tobón Giraldo	On the Paradox of Tragedy: Notes for the Balance of Its Theoretical Heritage	560-575
Connell Vaughan	The Political Basis of Rancière’s Aesthetics	576-586
Ken Wilder	Manet and Vermeer: The Nature of the Excluded Spectator	587-613