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Volume 5 / 2013
Volume 5 / 2013
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Quick Access to the Archive
Volume 11 / 2019
Volume 10 / 2018
Volume 9 / 2017
Volume 8 / 2016
Volume 7 / 2015
Volume 6 / 2014
Volume 5 / 2013
Volume 4 / 2012
Volume 3 / 2011
Volume 2 / 2010
Volume 1 / 2009
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Edited by Fabian Dorsch and Dan-Eugen Ratiu
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Table of Contents
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Paolo D’Angelo
Aesthetics as Philosophy of Experience
1-18
Tomáš Hlobil
250 Years of Aesthetics at Prague University — How the History of the Teaching of Aesthetics Has Evaded Historians
19-33
Maria E. Reicher
Actualist Meaning Objectivism
34-52
Adam Andrzejewski
Artification and the Ontology of Art
53-66
Alfred Archer
Aesthetic Judgements and Motivation
67-85
Tibor Bárány
“This is not Art” — Should we go Revisionist about Works of Art?
86-99
Alicia Bermejo Salar
The Analogy between Artistic and Linguistic Meaning — The Linguistic Model of Intentionalism Revisited
100-119
Alessandro Bertinetto
On Artistic Luck
120-140
Stefan Bird-Pollan
Taking People as People — Kant, Judgments of Beauty and Judgments of Morality
141-149
Aléxia Bretas
The Eternal Return of the New — The Aesthetics of Fashion in Walter Benjamin
150-162
Remei Capdevila-Werning
Constructing the Absent — Preservation and Restoration of Architecture
163-177
Robert R. Clewis
Tracing Beauty and Reflective Judgment in Kant’s Lectures
178-192
David Collins
Expressing a Certain Vision — James, Collingwood and the Value of Artistic Pursuits
193-205
Damla Dönmez
Collingwood and “Art Proper” — From Idealism to Consistency
206-220
Gene Fendt
Ancient Poetics and Kantian Judgments of the Beautiful
221-236
Jane Forsey
Appraising the Ordinary — Tension in Everyday Aesthetics
237-245
Gülizar Karahan Balya
The ‘Death’ of the Artist — A Nietzschean Approach to Aesthetics
246-259
Mojca Kuplen
The Aesthetic of Ugliness — A Kantian Perspective
260-279
Regina-Nino Kurg
The Conflicts Within Depiction
280-287
Ling Zhu
The Tension Structures of Consciousness as the Subject of Art — An Interpretation of the Central Thesis of Susanne Langer’s Aesthetic Theory
288-301
Alberto Martinengo
From the Linguistic Turn to the Pictorial Turn — Hermeneutics Facing the ‘Third Copernican Revolution’
302-312
Sophie Menasse
Reflective Taste — In-Between Logical-Rational Objectivity and Emotional Subjectivity
313-325
Annelies Monseré
Disentangling Borderline Cases of Art
326-337
Francisca Pérez Carreño
Expressiveness without Expression? Lopes and Robinson on Pictorial Expression
338-355
Matthew Rowe
Experience and Testimony in the Criticism of Conceptual Art
356-371
Mateusz Salwa
The Garden as a Performance
372-387
Ulrich Seeberg
Das Sehen der Blinden. Derrida als Kunsttheoretiker
388-406
Ronald Shusterman
Less than Greek — Art, Perfection and Metaethics (On Berys Gaut)
407-423
Mario Slugan
Some Reflections on Bazin’s and Cavell’s Ontologies of Film
424-441
Kristina Soldati
Dance-Specific Aspects in the Tradition of the Symbol Theory of Nelson Goodman
442-454
Mihály Szilágyi-Gál
Aesthetics and Rhetorics in the Leviathan
455-465
Elena Tavani
Hannah Arendt — Aesthetics and Politics of Appearance
466-475
Enrico Terrone
Originally Nested — Seeing Picdows in Pictures
476-486
Mélissa Thériault
Of Hume and Omnivores — A Contemporary Look at the Notion of Taste
487-497
Daniel Jerónimo Tobón Giraldo
On Art, Compassion, and Memory
498-513
Mónica Uribe
Perception and Interpretation in the Aesthetic Experience of Art
514-523
Connell Vaughan
Public Galleries — the Politicised Nature of Public-ness in Contemporary Art Practice and Aesthetic Theory
524-538
Mario Videira
Kant et la Pensée Musicale du Romantisme Allemand
539-555
Aaron Yarmel
Explanations in Music Theory — Lessons from Biology and Physical Geology
556-575
Pavel Zahrádka
A Critique of Aesthetic Hierarchism and its Consequences for the Theory of Art, Art Criticism and Aesthetic Axiology
576-596
Zsófia Zvolenszky
Abstract Artifact Theory about Fictional Characters Defended — Why Sainsbury’s Category-Mistake Objection is Mistaken
597-612
Lisa Katharin Schmalzried
Inner Beauty — The Friendship-Hypothesis
613-635
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