Volume 5 / 2013

Edited by Fabian Dorsch and Dan-Eugen Ratiu

Table of Contents

Paolo D’Angelo	Aesthetics as Philosophy of Experience	1-18
Tomáš Hlobil	250 Years of Aesthetics at Prague University — How the History of the Teaching of Aesthetics Has Evaded Historians	19-33
Maria E. Reicher	Actualist Meaning Objectivism	34-52
Adam Andrzejewski	Artification and the Ontology of Art	53-66
Alfred Archer	Aesthetic Judgements and Motivation	67-85
Tibor Bárány	“This is not Art” — Should we go Revisionist about Works of Art?	86-99
Alicia Bermejo Salar	The Analogy between Artistic and Linguistic Meaning — The Linguistic Model of Intentionalism Revisited	100-119
Alessandro Bertinetto	On Artistic Luck	120-140
Stefan Bird-Pollan	Taking People as People — Kant, Judgments of Beauty and Judgments of Morality	141-149
Aléxia Bretas	The Eternal Return of the New — The Aesthetics of Fashion in Walter Benjamin	150-162
Remei Capdevila-Werning	Constructing the Absent — Preservation and Restoration of Architecture	163-177
Robert R. Clewis	Tracing Beauty and Reflective Judgment in Kant’s Lectures	178-192
David Collins	Expressing a Certain Vision — James, Collingwood and the Value of Artistic Pursuits	193-205
Damla Dönmez	Collingwood and “Art Proper” — From Idealism to Consistency	206-220
Gene Fendt	Ancient Poetics and Kantian Judgments of the Beautiful	221-236
Jane Forsey	Appraising the Ordinary — Tension in Everyday Aesthetics	237-245
Gülizar Karahan Balya	The ‘Death’ of the Artist — A Nietzschean Approach to Aesthetics	246-259
Mojca Kuplen	The Aesthetic of Ugliness — A Kantian Perspective	260-279
Regina-Nino Kurg	The Conflicts Within Depiction	280-287
Ling Zhu	The Tension Structures of Consciousness as the Subject of Art — An Interpretation of the Central Thesis of Susanne Langer’s Aesthetic Theory	288-301
Alberto Martinengo	From the Linguistic Turn to the Pictorial Turn — Hermeneutics Facing the ‘Third Copernican Revolution’	302-312
Sophie Menasse	Reflective Taste — In-Between Logical-Rational Objectivity and Emotional Subjectivity	313-325
Annelies Monseré	Disentangling Borderline Cases of Art	326-337
Francisca Pérez Carreño	Expressiveness without Expression? Lopes and Robinson on Pictorial Expression	338-355
Matthew Rowe	Experience and Testimony in the Criticism of Conceptual Art	356-371
Mateusz Salwa	The Garden as a Performance	372-387
Ulrich Seeberg	Das Sehen der Blinden. Derrida als Kunsttheoretiker	388-406
Ronald Shusterman	Less than Greek — Art, Perfection and Metaethics (On Berys Gaut)	407-423
Mario Slugan	Some Reflections on Bazin’s and Cavell’s Ontologies of Film	424-441
Kristina Soldati	Dance-Specific Aspects in the Tradition of the Symbol Theory of Nelson Goodman	442-454
Mihály Szilágyi-Gál	Aesthetics and Rhetorics in the Leviathan	455-465
Elena Tavani	Hannah Arendt — Aesthetics and Politics of Appearance	466-475
Enrico Terrone	Originally Nested — Seeing Picdows in Pictures	476-486
Mélissa Thériault	Of Hume and Omnivores — A Contemporary Look at the Notion of Taste	487-497
Daniel Jerónimo Tobón Giraldo	On Art, Compassion, and Memory	498-513
Mónica Uribe	Perception and Interpretation in the Aesthetic Experience of Art	514-523
Connell Vaughan	Public Galleries — the Politicised Nature of Public-ness in Contemporary Art Practice and Aesthetic Theory	524-538
Mario Videira	Kant et la Pensée Musicale du Romantisme Allemand	539-555
Aaron Yarmel	Explanations in Music Theory — Lessons from Biology and Physical Geology	556-575
Pavel Zahrádka	A Critique of Aesthetic Hierarchism and its Consequences for the Theory of Art, Art Criticism and Aesthetic Axiology	576-596
Zsófia Zvolenszky	Abstract Artifact Theory about Fictional Characters Defended — Why Sainsbury’s Category-Mistake Objection is Mistaken	597-612
Lisa Katharin Schmalzried	Inner Beauty — The Friendship-Hypothesis	613-635

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